EVERY DAY SINCE 1997



Booker T. Washington "Bukka" White
Po' Boy (MP3) - Sick 'em dogs (MP3)

Born on a farm near Houston, Mississippi, November 12, 1909, and named for the famed black educator, Bukka White was interested in music from an early age. His father taught him guitar at the age of nine, and a chance meeting with Charley Patton convinced the young White to "come to be a great man like Charley Patton." The son of a railroad worker, White was exposed to the sound of trains from an early age and was not afraid to hobo a train. He rode the rails from the Mississippi Delta to St. Louis, where he played poolrooms, barrelhouses, and parties for food and tips during the 1910s and 1920s.

During a 1930 stay in Memphis, White recorded fourteen songs, including three gospel numbers with Memphis Minnie supplying background vocals. Two 78s were released from the session, one containing two gospel sides and the other containing two blues numbers. Neither met with commercial success, but during this session White received the designation "Bukka" from a white record producer who had never heard of his famous namesake Booker T. Washington. He continued to travel during the 1930s, working as a professional boxer in Chicago and as a Negro League pitcher with the Birmingham Black Cats. 

During the summer of 1937, White shot an assailant in the thigh and was sentenced to Parchman Farm. Before beginning his sentence, he recorded two blues for the Vocalion label, including "Shake 'Em On Down," which sold in excess of 16,000 copies. Bluesman Big Bill Broonzy recorded "New Shake 'Em On Down," and scored another hit on that theme while White toiled at Parchman. Making the best of a bad situation, he recorded for folklorist Alan Lomax in 1939, while the latter was at the notorious prison recording for the Library of Congress.

Upon his release from prison in 1940, White traveled to Chicago for a follow-up session to "Shake 'Em On Down." The resulting twelve songs transcend blues as music, becoming powerful ruminations on imprisonment, isolation, loneliness, Jim Crow justice, and the freedom of the rails. White's post-Parchman success was short-lived, however, as a stint in the U.S. Navy during World War II curtailed his playing. 

During the 1940s, he occasionally played juke joints with Memphis legend Frank Stokes after the latter had moved to Clarksdale, Mississippi. White later settled in Memphis, playing occasional gigs and influencing his young guitar-playing cousin B.B. King. Like Skip James, Mississippi John Hurt, and Son House, White was rediscovered during the 1960s "blues revival," and was once again celebrated for his slide guitar, throaty holler, and inspired compositions.

Bukka White died in Memphis, Tennessee, February 26, 1977. He is buried in Memphis.

By Sean Styles


 
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But for a few twists of fate, Atlanta could easily have grown to be the recording center that Nashville is today.Pickin' on Peachtree traces Atlanta's emergence in the 1920s as a major force in country recording and radio broadcasting, a position of dominance it enjoyed for some forty years. From the Old Time Fiddlers' Conventions and barn dances through the rise of station WSB and other key radio outlets, Wayne W. Daniel thoroughly documents the consolidation of country music as big business in Atlanta. He also profiles a vast array of performers, radio personalities, and recording moguls who transformed the Peachtree city into the nerve center of early country music. More...




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